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Guidance, ideas and examples to support schools in developing their curriculum, pedagogy, enrichment and support for more able learners, within a whole-school context of cognitively challenging learning for all. Includes ideas to support curriculum development, and practical examples, resources and ideas to try in the classroom. Popular topics include: curriculum development, enrichment, independent learning, questioning, oracy, resilience, aspirations, assessment, feedback, metacognition, and critical thinking.

 

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Storytelling with Shakespeare

Posted By Georghia Ellinas, 01 December 2017
Updated: 08 April 2019
Georghia Ellinas, Head of Learning at Globe Education, explains how Shakespeare’s stories can be used from an early age to develop engagement with oral and written narrative – and a whole lot more…

Narrative is a central element in the National Curriculum – for good reason. Storytelling is at the heart of human identity, communication, and our understanding of the world. Through the telling and interpretation of stories, learners develop not only their vocabulary and command of language, but also their cognitive skills, empathy, sense of self, and engagement with moral and emotional issues.

Good stories also prepare learners for engaging with the range of literature they will encounter throughout their school careers and in their personal reading. That is why it is important to offer them interesting stories from the start.

And what greater storyteller than Shakespeare to engage learners of all ages and abilities?

The power of performance

There’s a common misconception that Shakespeare is too challenging for young children or for those coming to English as a second language. In fact, the perceived difficulty of Shakespearean language is irrelevant when children are motivated to learn and use it, through immersion in role play and oral exploration of the plays.

Inviting learners to act out the stories – putting themselves inside the minds and predicaments of Shakespearean characters at key moments in the narrative – provides a first-hand immersive experience which means they use language in a much more powerful way.

This performative, oral phase is an essential precursor to developing learners’ writing skills. The written work they go on to produce is much more creative and confident, grounded in a real emotional engagement with the story, characters and language. Having had that immersive experience, learners are motivated to challenge themselves, and you get that wonderful language development that takes place when children hear and use very rich language.

Shakespearean philosophy for children

Beyond the development of speaking and writing skills, Shakespeare challenges learners to grapple with moral and emotional issues. By choosing the right plays, and presenting them in an engaging way, this can be made accessible to learners of all ages and abilities, starting right from the early years.

For very young children, consider a play like The Winter’s Tale. This is about jealousy – irrational jealousy – exploring the counterproductive and destructive side of being possessive of your friends. For slightly older children, a play like Twelfth Night looks at bullying – the way that, when we don’t like somebody or think they need taking down a peg or two, we gang up on them – and how unfair that is, no matter how difficult that person may be.

All of this gives learners a foundation they will build on throughout their education, up to GCSE and beyond – understanding story structure, analysing characters and their motivations, describing contexts, assessing moral dilemmas. It also gives them tools for life, developing attributes such as empathy, which are essential for a happy life.

Children as Storytellers

These goals and principles underpin Globe Education’s Children as Storytellers project, launched in 2012 to support primary schools in developing learners’ storytelling skills using Shakespeare. Running over a course of 10 weeks, the project offers interactive workshops for learners, CPD for teachers, and an interactive storytelling session in their school. Hearing the story together is the best way to build a shared understanding of the characters and what happens to them.

In the first half of the course, Globe Education Practitioners use role play-based workshops to inspire learners to start using the language of the play, exploring the characters’ motivations, and thinking about the structure of the story. The second half of the course is led by school teachers, building on the use of performance and oral storytelling to develop learners’ reading and writing skills, with support from the Globe team. Over the last year we’ve also extended the project to run sessions for family members, engaging them in telling stories, asking questions, and developing their child’s critical thinking.

Headteachers and teachers involved in the project highlight its capacity to stretch and challenge not only their learners, but themselves as well – giving them fresh tools and approaches with which to unlock Shakespeare, and prompting them to rethink what they can offer even their youngest learners.

How to get involved

NACE is delighted to be working in partnership with Globe Education this year, to support NACE members in providing challenge through all phases of the English curriculum. To access free resources to support teaching and learning using Shakespeare – including lesson plans, revision guides, videos and interactive online tools – visit The Globe’s Teach Shakespeare website.

To find out more about the Children as Storytellers project, and to discuss running the project at your own school, contact the Globe Education team on +44 (0)20 7902 1435 or email learningenquiries@shakespearesglobe.com.

Tags:  CPD  English  free resources  Shakespeare 

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Meeting the challenge of the new English GCSEs

Posted By Emily Rawes, 02 October 2017
Updated: 22 December 2020
At NACE member and Challenge Award-accredited school Chelsea Academy, learners achieved 41 grade 9s this summer. In this blog post, the school’s curriculum leader for English, Emily Rawes, explores the impact of the new English GCSE curriculum on more able learners and their teachers.
 
When AQA offered their initial training programme, briefing teachers about the make-up of the new GCSE English Language and Literature course, it felt that the specification was targeted largely at more able learners. AQA felt the more able were “reined  in” by the old specification and wanted to free them from the shackles. The awarding body came under fire at meetings from teachers who were concerned about how they were catering for those who were less able, and AQA provided more structure and clarity about the specification.

AQA’s vision stuck and they doggedly discussed how they wanted to distinguish the grade 8 (A*) from the elusive grade 9 (A**). This grade 9 began to feel increasingly unattainable as the challenges of the changes dawned on teachers once teaching commenced. This started with the text choices, with many texts, such as The History Boys, moving from A-level to GCSE. Challenges were also presented by the longer exams, the compulsory study of the Victorian novel, the removal of controlled assessment, the use of closed-book assessment, and the questions themselves.
 
There were challenges for students and teachers alike. The more able learners themselves were anxious about the changes and understandably felt short-changed when comparing themselves to previous cohorts. I would argue that the more able were under more pressure than ever to perform (as were their teachers), and this was visibly seen in the anxiety displayed by students.
 
However, with a range of successful teaching and learning strategies, a positive classroom ethos and a lot of class collaboration, the top end has thrived. This, I believe, is down to the challenge posed by more gritty text choices and the freedom offered by the removal of controlled assessment – but it is ultimately up to the teacher now, more than ever, to sell their subject to students, as it does not all seem immediately engaging.
 
The time freed up from the removal of controlled assessment is also invaluable, but needs to be used wisely – with a mix of classroom discussion, engagement strategies and exam practice skills – so that the more able can effectively demonstrate their ability in these rigorous conditions. Cross-curricular knowledge and academic ability has also become more important, with a greater percentage of marks available for contextual links; this has proven true with the students achieving grade 9s in English achieving equally impressive results in history, RE and other humanities subjects. It is therefore now more important than ever for departments to collaborate.
 
The most significant change on the English language side, alongside the removal of controlled assessment, is the increase in the weighting of marks for spelling, punctuation and grammar. There is a much greater emphasis on originality and flair being rewarded in students’ writing, and they are asked to write with a sophisticated control of punctuation. Gone are the days where the more able could pick up marks for “range of punctuation used” almost by using a checklist, ticking off their punctuation marks as they go. The grade 9, quite rightly in my opinion, asks for more. It is therefore the job (and delight) of the English teacher to expose students to a range of challenging and exciting reading material, and thus develop their own writing craft and style.
 
Emily Rawes is the curriculum leader for English at Chelsea Academy and an accredited Lead Practitioner. Under her leadership, the English team achieved outstanding success this summer, with 88% of students achieving grade 4 or above in at least one English qualification. Just under a third (32%) achieved grades 9-7 in English literature, with a total of 29 grade 9s across language and literature. The value added for sets 1 and 2 fell into the Alps grade 1 category.
 

Tags:  English  GCSE  KS4  language  literature 

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