Guidance, ideas and examples to support schools in developing their curriculum, pedagogy, enrichment and support for more able learners, within a whole-school context of cognitively challenging learning for all. Includes ideas to support curriculum development, and practical examples, resources and ideas to try in the classroom. Popular topics include: curriculum development, enrichment, independent learning, questioning, oracy, resilience, aspirations, assessment, feedback, metacognition, and critical thinking.
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Posted By Lol Conway,
06 May 2025
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Lol Conway, Curriculum Consultant and Trainer for the Design and Technology Association
Throughout my teaching, inclusivity has always been at the forefront of my mind – ensuring that all students can access learning, feel included, and thrive. Like many of my fellow teachers, at the start of my teaching career my focus was often directed towards supporting SEND or disadvantaged students, for example. I have come to realise, to my dismay, that more able students were not high up in my consideration. I thought about them, but often as an afterthought – wondering what I could add to challenge them. Of course, it should always be the case that all students are considered equally in the planning of lessons and curriculum progression and this should not be dictated by changes in school data or results. Inclusivity should be exactly that – for everyone.
True inclusivity for more able students isn’t about simply adding extra elements or extensions to lessons, much in the same way that inclusivity for students with learning difficulties isn’t about simplifying concepts. Instead, it’s about structuring lessons from the outset in a way that ensures all students can access learning at an appropriate level.
I realised that my approach to lesson planning needed to change to ensure I set high expectations and included objectives that promoted deep thinking. This ensured that more able students were consistently challenged whilst still providing structures that supported all learners. It is imperative that teachers have the confidence and courage to relentlessly challenge at the top end and are supported with this by their schools.
As a Design and Technology (D&T) teacher, I am fortunate that our subject naturally fosters higher-order thinking, with analysis and evaluation deeply embedded in the design process. More able students can benefit from opportunities to tackle complex, real-world problems, encouraging problem-solving and interdisciplinary connections. By integrating these elements into lessons, we can create an environment where every student, including the most able, is stretched and engaged. However, more often than not, these kinds of skills are not always nurtured at KS3.
Maximizing the KS3 curriculum
The KS3 curriculum is often overshadowed by the annual pressures of NEA and examinations at GCSE and A-Level, often resulting in the inability to review KS3 delivery due to the lack of time. However, KS3 holds immense potential. A well-structured KS3 curriculum can inspire and motivate students to pursue D&T while also equipping them with vital skills such as empathy, critical thinking, innovation, creativity, and intellectual curiosity.
To enhance the KS3 delivery of D&T, the Design and Technology Association has developed the Inspired by Industry resource collection – industry-led contexts which provide students with meaningful learning experiences that go beyond theoretical knowledge. We are making these free to all schools this year, to help teachers deliver enhanced learning experiences that will equip students with the skills needed for success in design and technology careers.
By connecting classroom projects to real-world industries, students gain insight into the practical applications of their learning, fostering a sense of purpose and motivation. The focus shifts from achieving a set outcome to exploring the design process and industry relevance. This has the potential to ‘lift the lid’ on learning, helping more able learners to develop higher-order skills and self-directed enquiry.
These contexts offer a diverse range of themes, allowing students to apply their knowledge and skills in real-world scenarios while developing a deeper understanding of the subject and industry processes. Examples include:
- Creating solutions that address community issues such as poverty, education, or homelessness using design thinking principles to drive positive change;
- Developing user-friendly, inclusive and accessible designs for public spaces, products, or digital interfaces that accommodate people with disabilities;
- Designing eco-friendly packaging solutions that consider materials, manufacturing processes, and end-of-life disposal.
These industry-led contexts foster independent discovery and limitless learning opportunities, particularly benefiting more able students. By embedding real-world challenges into the curriculum, we can push the boundaries of what students can achieve, ensuring they are not just included but fully engaged and empowered in their learning journey.
Find out more…
NACE is partnering with the Design & Technology Association on a free live webinar on Wednesday 4 June 2025, exploring approaches to challenge all learners in KS3 Design & Technology. Register here.
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Posted By Ilona Bushell,
28 March 2022
Updated: 22 March 2022
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Ilona Bushell, Assistant Editor at The Day
Telling the truth about the world we share has become one of the heroic endeavours of the age amidst an ever-changing digital tsunami of information. Effectively embedding journalism in your school is vital to equip young citizens with the skills needed to develop a healthy worldview, engage in a democratic society and tackle the world’s biggest challenges, leading the way to a brighter future.
There is no doubt that news literacy helps develop skills that are valuable right across the curriculum – and prepares children for their adult life. As these young people become voters, tax-payers and earners, they will have the basic tools to navigate the noise, confusion and fog of reality.
Here at the online newspaper for schools, The Day, we call the regular consumption of news a “real-world curriculum”. In February 2022 we launched The Global Young Journalist Awards (GYJA), a free competition open to all under 18s around the world. We aim to inspire young people to build a better world through storytelling, and the ambition is for GYJA to become the leading award for youth journalism.
What, why, and why now?
Written entries are welcome, but the awards are open to work in any medium – including video, photo, audio, graphic or podcast – opening up the floor to different student abilities and areas of interest. The aim is to showcase a variety of voices and encourage young people to report on what truly matters to them.
American actor and comedian Tina Fey, who will be among the panel of GYJA judges, said, “There has never been a more important time to get young people involved in truth-seeking. It is vital for our future that journalists investigate without fear or favour, and this competition is an excellent way of inspiring children to get involved.”
The judging panel also includes TV broadcaster Ayo Akinwolere, the BBC’s gender and identity correspondent Megha Mohan, the FT’s top data journalism developer Ændra Rininsland, and Guardian columnist Afua Hirsch.
Indian computer scientist and educational theorist Sugata Mitra sees the awards as an opportunity to see glimpses of unexplored minds: “I have found children to be good at making up things. They can assemble all sorts of information into stories that are, at worst, fascinating and, at best, brutally honest. A journalist that can think like a nine-year-old will be astonishing… Can nine-year-olds think like a journalist?”
How are the awards aligned to school curricula?
There is an explosion of great reporting today on topics relevant to every area of the school curriculum. The award categories listed below are designed to fit within students’ areas of study and contribute to a rich real-world curriculum. Through their storytelling, entrants can build on important skills including communication, research, fact-checking, confidence, literacy, oracy, individuality and empathy.
GYJA categories:
1. Campaigning journalist of the year
2. Interviewer of the year
3. International journalist of the year
4. Political journalist of the year
5. Mental health journalist of the year
6. Environment journalist of the year
7. Science & technology journalist of the year
8. Race & gender journalist of the year
9. Sports journalist of the year
10. Climate journalist of the year (primary only)
How can schools get involved?
Teachers can download the Awards entry pack at www.theday.co.uk/gyja2022. The entry pack and website include a host of free resources for students. There are top tips from sponsors and judges, prompt ideas, best practice examples and guidance on the six journalistic formats they can use.
What’s in store for the winners?
Winners will be announced at a live virtual ceremony in June. Award winners will have their words, video, photo, graphic or podcast published on The Day’s website and be given the chance to connect with role models from the world of media and current affairs.
Winners will be invited to join The Day’s Student Advisory Board for a year, while winners and runners-up will be offered a day’s work experience in a national newsroom and receive trophies.
Competition sponsors include The Fairtrade Foundation, The Edge Foundation, Oddizzi, Brainwaves, National Literacy Trust and Hello World.
About The Day
The Day is a digital newspaper for use in schools and colleges. It has a daily average circulation of 378,000 students, the largest readership among those aged 18 and under of any news title. Over 1,300 schools are subscribers. NACE members can benefit from a 20% discount on subscriptions to The Day; for details of this and all NACE member offers, log in and visit our member offers page.
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Posted By Ems Lord,
11 February 2022
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Dr Ems Lord, Director of the University of Cambridge’s NRICH initiative, shares three activities to try in your classroom, to help learners improve their use of mathematical vocabulary.
Like many academic subjects, mathematics has developed its own language. Sometimes this can lead to humorous clashes when mathematicians meet the real world. After all, when we’re calculating the “mean”, we’re not usually referring to a measurement of perceived nastiness (unless it’s the person who devised the problem we’re trying to solve!).
Precision in our use of language within mathematics does matter, even among school-aged learners. In my experience, issues frequently arise in geometry sessions when working with pyramids and prisms, squares and rectangles, and cones and cylinders. You probably have your own examples too, both within geometry and the wider curriculum.
In this blog post, I’ll explore three tried-and-tested ways to improve the use of mathematical vocabulary in the classroom.
1. Introduce your class to Whisper Maths
“Prisms are for naughty people, and pyramids are for dead people.” Even though I’ve heard that playground “definition” of prisms and pyramids many times before, it never fails to make me smile. It’s clear that the meanings of both terms cause considerable confusion in KS2 and KS3 classrooms. Don’t forget, learners often encounter both prisms and pyramids at around the same time in their schooling, and the two words do look very similar.
One useful strategy I’ve found is using an approach I like to refer to as Whisper Maths; it’s an approach which allows individuals time to think about a problem before discussing it in pairs, and then with the wider group. For Whisper Maths sessions focusing on definitions, I tend to initially restrict learner access to resources, apart from a large sheet of shared paper on their desks; this allows them to sketch their ideas and their drawings can support their discussions with others.
This approach helps me to better understand their current thinking about “prismness” and “pyramidness” before moving on to address any misconceptions. Often, I’ve found that learners tend to base their arguments on their knowledge of square-based pyramids which they’ve encountered elsewhere in history lessons and on TV. A visit to a well-stocked 3D shapes cupboard will enable them to explore a wider range of examples of pyramids and support them to refine their initial definition.
I do enjoy it when they become more curious about pyramids, and begin to wonder how many sides a pyramid might have, because this conversation can then segue nicely into the wonderful world of cones!
2. Explore some family trees
Let’s move on to think about the “Is a square a rectangle?” debate. I’ve come across this question many times, and similarly worded ones too.
As someone who comes from a family which talks about “oblongs”, I only came across the “Is a square a rectangle?” debate when I became a teacher trainer. For me, using the term oblong meant that my understanding of what it means to be a square or an oblong was clear; at primary school I thought about oblongs as “stretched” squares. This early understanding made it fairly easy for me to see both squares and oblongs (or non-squares!) as both falling within the wider family of rectangles. Clearly this is not the case for everyone, so having a strategy to handle the confusion can be helpful.
Although getting out the 2D shape box can help here, I prefer to sketch the “family tree” of rectangles, squares and oblongs. As with all family trees, it can lead to some interesting questions when learners begin to populate it with other members of the family, such the relationship between rectangles and parallelograms.
3. Challenge the dictionary!
When my classes have arrived at a definition, it’s time to pull out the dictionaries and play “Class V dictionary”. To win points, class members need to match their key vocabulary to the wording in the dictionary. For the “squares and rectangles” debate, I might ask them to complete the sentence “A rectangle has...”. Suppose they write “four sides and four right angles”, we would remove any non-mathematical words, so it now reads “four sides, four right angles.” Then we compare their definition with the mathematics dictionary.
They win 10 points for each identical word or phrase, so “four right angles, four sides” would earn them 20 points. It’s great fun, and well worth trying out if you feel your classes might be using their mathematical language a little less imprecisely than you would like.
More free maths activities and resources from NRICH…
A collaborative initiative run by the Faculties of Mathematics and Education at the University of Cambridge, NRICH provides thousands of free online mathematics resources for ages 3 to 18, covering early years, primary, secondary and post-16 education – completely free and available to all.
The NRICH team regularly challenges learners to submit solutions to “live” problems, choosing a selection of submissions for publication. Get started with the current live problems for primary students, live problems for secondary students, and live problems for post-16 students.
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Posted By Kyriacos Papasavva,
26 August 2021
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Kyriacos Papasavva, Head of Religious Studies at St Mary’s and St John’s (SMSJ) CE School, shares three ways in which the school seeks to nurture a love of learning – for students and staff alike.
Education becomes alive when educators and students love what they do. This is, I think, the whole point of teaching: to inspire a love of learning among those we teach. Love, however, is not something that can be forced. Instead, it is ‘caught’.
For such a desire to develop in our pupils, there must be a real freedom in the learning journey. From the teacher’s perspective, this can be a scary prospect, but we must remember that a teacher is a guide only; you cannot force children to learn, but it is genuinely possible to inspire among pupils a love of learning. To enable this, we should ask ourselves: to what extent do we as teaching practitioners allow the lesson to go beyond the bulwark we impose upon any limited, pre-judged ‘acceptable range’? How do we allow students to explore the syllabus in a way that is free and meaningful to the individual? If we can find a way to do this, then learning really becomes magical.
While there is the usual stretch and challenge, meta-questions, challenge reading, and more, the main thrust of our more able provision in the religious studies (RS) department at SMSJ is one which encourages independent research and exploration. Here are several of the more unique ways that we have encouraged and challenged our more able students in RS and across the school, with the aim of developing transferable skills across the curriculum and inspiring a love of learning amongst both students and staff.
1. Papasavitch (our very own made-up language)
We had used activities based on Jangli and Yelrib, made-up languages used at Eton College, to stretch our pupils and give them exciting and unique learning opportunities. These activities were so well received by our pupils; they wanted more. So we developed ‘Papasavitch’, our very own made-up language.
This is partly what I was referring to earlier: if you find something students enjoy doing, give them a space to explore that love; actively create it. To see if your pupils can crack the language, or have a go yourself, try out this sample Papasavitch activity sheet.
2. The RS SMSJ Essay Writing Competition (open to all schools)
In 2018, SMSJ reached out to a number of academics at various universities to lay the foundations of what has become a national competition. We would like to thank Professor R. Price, Dr E. Burns, Dr G. Simmonds, Dr H. Costigane, Dr S. Ryan and Dr S. Law for their support.
Biannually, we invite students from around the UK (and beyond) to enter the competition, which challenges them to write an essay of up to 1,000 words on any area within RS, to be judged by prestigious academics within the field of philosophy, theology and ethics. While we make this compulsory for our RS A-level pupils, we receive copious entries from students in Years 7-11 at SMSJ, and beyond, owing to the range of possible topics and broad interest from students. Hundreds of students have entered to date, including those from top independent and grammar schools around the UK. (Note: submissions should be in English, and only the top five from each school should be submitted.)
You can learn more about the competition – including past and future judges, essay themes, examples of past entries, and details of how to enter – on the SMSJ website.
3. Collaboration and exploration – across and beyond the school
The role of a Head of Department (HoD), as I see it, is to actively seek opportunities for collaboration and exploration – within the school family and beyond into the wider subject community, as well as among the members of the department. At SMSJ, this ethos is shared by HoDs and other staff alike and expressed in a number of ways.
Regular HoD meetings to discuss and seek opportunities for implementing cross-curricular links are a must, and have proven fruitful in identifying and utilising overlap in the curriculum. Alongside this, we run a Teacher Swaps programme where teachers can study each other’s subjects in a tutorial fashion, naturally creating an awareness and understanding of other subjects.
The Humanities Faculty offers a ‘Read Watch Do’ supplementary learning programme for each year group, which runs alongside regular home learning tasks. The former also supports other departments through improved literacy, building cultural capital and exploration via the independent learning tasks.
Looking beyond the school, our partnerships with the K+ and Oxford Horizons programmes help our sixth-formers prepare for university, while mentoring with Career Ready and the Civil Service supports our students to gain new skills from external providers. Our recent launch of The Spotlight, a newspaper run by students at SMSJ, has heralded a collaboration with a BBC Press Team. Again, this shows other opportunities for cross-curricular overlap, as students are directed to report on different departments’ extracurricular enrichment activities. The possibilities are endless, and limited only by our imagination.
To learn more about any of the initiatives mentioned in this blog post, and/or to share what’s working in your own department/school, please contact communications@nace.co.uk.
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Posted By Gavin Illsley,
30 June 2021
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Gavin Illsley, Head of Programmes, English-Speaking Union
Spelling or poetry, complicated maths, explosive chemistry, or predicting the Bank of England’s interest rates. In so many aspects of school life, competitions can be part of a vibrant culture of learning. The English-Speaking Union (ESU) believes that oracy should be at the heart of every classroom, and oracy competitions can help bring it to the heart of every school. Read on to find out more about the ESU’s approach to competitions, and how to register your school for participation in future contests.
1. Competitions provide focus for year-wide activities
While the end result may be a team of three or five students going to a competition, the process is an opportunity to bring oracy to much larger groups. Many of our participating schools use competition season as a time to get everyone involved in oracy activities – the entire school could enter the first round of our Performing Shakespeare competition, while teachers often use our ESU-Churchill Public Speaking Competition as a chance to get everyone giving speeches in class. You can even run your own internal qualifier events.
The successful teams and individuals can be role models and exemplars – there’s no better assembly highlight than a winning team showing off their newly polished oracy skills!
2. Competitions give different ways of engaging with skills
Oracy activities can be intimidating for some students, but very often taking a slightly different approach can make a student feel more comfortable and confident. Wrapping presentation and speech within part of a dramatic performance is helpful for some, while others find their feet in the controlled role of a public speaking chairperson. Finding the right way for an individual to express themselves can unlock achievement in other areas.
3. Competitions provide challenge
All students deserve access to oracy education but, for those who are particularly keen or engaged, classroom opportunities might not be enough. Public speaking competitions give students a place to stretch themselves and take on bigger challenges. Tackling peers at local, regional and even national levels means there’s always more to reach for.
This can also provide a useful outlet for the students, who may otherwise behave in a disruptive way as they try to maximise speaking time in class at others’ expense.
4. Competition can be a motivator
Some people hate running laps of a track, but give them a ball and an opposition and they’ll run all day. Similarly, with oracy, competition can be a great source of motivation.
All steps – preparations, practice, performance – can be given a boost by the chance to compete, progress and win acclaim. As Simon Porter, headteacher at De Aston School in Market Rasen, Lincolnshire, says: “The students really enjoy the competitions. They get to have their voice heard on important topics and it’s been transformative for their confidence and their self-esteem.”
5. Competitions are social and interactive
Public speaking competitions are all about interacting with other students both within a class or year group and from a broad range of other schools, right across the country. Debaters will go head-to-head with opponents, and public speaking teams will host and welcome speakers from other schools as part of the contest.
This benefits students as learners, as they can observe how others approach similar tasks, share ideas, and use their words and actions to motivate and inspire. It also benefits students from a social and emotional development perspective. Engaging outside of the competition itself is a chance (for teachers too!) to meet others with similar passions, share and chat. This is something that teachers often comment on, pointing out that students typically have very little opportunity to talk to other children their age whom they don’t already know. “It’s nice that they are experiencing, very clearly, schools that are from a very different background, seeing the differences, and also knowing that there isn’t as much of a difference as they previously thought,” says Grace Aldridge, teacher, Kensington Aldridge Academy.
Sign up!
Sign up now for the English-Speaking Union’s national competitions: Performing Shakespeare (Y7-9), the ESU-Churchill Public Speaking Competition (Y9-11) and the Schools’ Mace debating competition (Y7-13). All have trained judges and offer extensive feedback opportunities. More details and the registration form can be found here and supporting resources to help train and develop your students can be accessed here.
About the English-Speaking Union
The English-Speaking Union is an educational charity working to ensure young people have the speaking and listening skills and cultural understanding they need to thrive. Our debate, public speaking and cultural exchange programmes help young people to engage with the world, to speak more confidently and to listen to and understand different points of view. These skills improve young people’s attainment, emotional intelligence and social skills, helping them to live their lives to the fullest. To find out more, visit esu.org
Upcoming opportunities:
Read more about upcoming ESU opportunities here.
More from the English-Speaking Union:
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Posted By NRICH, University of Cambridge,
04 June 2021
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In March this year, NACE members had the opportunity to preview and trial a new maths game being developed by the team at NRICH – a University of Cambridge initiative providing free online maths resources that promote challenging, enriching learning experiences.
The game in question has now been launched, and in this blog post the NRICH team explain how it works, and how you and your learners can get playing.
Question: What happens when you bring together Tiddlywinks and football?
Answer: You get Phiddlywinks!
In this blog we’ll learn more about Phiddlywinks, including the charismatic mathematician who inspired the game and role of NACE members in bringing it to our screens.
What is Phiddlywinks?
Phiddlywinks is a strategy game for two players. The winner is the first player to get the white counter into the coloured region at the opposite end of the board. Player 1 is aiming for the blue region and Player 2 for the red region.
The game begins with the white counter in the centre circle.
Players take it in turns to either:
- Place a black counter on the board or
- Move the white counter.
The white counter moves by jumping in a straight line over one or more black counters. A player may be able to make more than one jump when it is their turn.
To get started, consider this screenshot from a game which is underway. Both players have chosen to use their turns to add black counters to the board (you’ll notice that the white counter remains in its starting position). It is Player 1’s turn. Can you see how Player 1 might move the white counter to win the game?
Here’s one possible winning move:
- Player 1 clicks on 7E (or 8F) and the white counter moves to 9G
- Player 1 clicks on 9F (or 9E) and the white counter moves to 9D
- Player 1 clicks on 9C and the white counter moves to 9B
- Player 1 clicks on 10B and the white counter will move to 11B, winning the game!
Do take some time exploring the interactivity. To help you learn to play the game, we’ve uploaded more mid-game scenarios here. You can also print off black and white or colour versions of the board.
Who was the inspiration behind Phiddlywinks?
John Horton Conway was a prize-winning mathematician who loved creating new games for all ages. He is best known to many for creating the Game of Life. He also developed a game called Philosopher's Football (also known as Phutball) which challenged players to manoeuvre a ball across a large grid towards their opponent's goal-line. Not surprisingly, the game soon became popular with his university students.
We have taken Phutball as the inspiration for our Phiddlywinks. We piloted the developmental version of the game with NACE members at a specially organised online event attended by both primary and secondary colleagues. The feedback from teachers attending NACE event, and the follow-up response from the classes of NACE members who kindly trialled Phiddlywinks with their classes, enabled our team to prepare the game for its release.
Phiddlywinks is almost identical to Philosopher's Football except that the white ball has become a white counter and the players have become black counters. The rules are the same but Phiddlywinks is played on a much smaller board. The way the counters move reminded us more of Tiddlywinks than football, hence the alternative name.
The NRICH team would like to acknowledge the support of NACE and its members who kindly trialled our initial version of the game, giving us invaluable feedback which informed the development of Phiddlywinks.
What maths games and activities have you and your learners been enjoying this year? Share your ideas in the comments below or in the NACE community forums.
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Posted By Ems Lord,
13 January 2021
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NACE is proud to NACE is proud to partner with Cambridge University’s NRICH initiative, which is dedicated to creating free maths resources and activities to promote enriching, challenging maths experiences for all. In this blog post, NRICH Director Dr Ems Lord shares details of the latest free maths resources from the team, and an exclusive opportunity for NACE members…
In this blog post, I’m delighted to introduce NRICH’s new child-friendly reflection tool for nurturing successful mathematicians – part of our suite of free maths resources and activities to promote enriching, challenging mathematical experiences for all. We very much hope that you enjoy exploring it with your classes to support them to realise their potential. Such innovations are developed in partnerships with schools and teachers, and we’ll also be inviting you to work directly with our team to help design a future classroom resource intended to challenge able mathematicians (see below or click here for details of our upcoming online event for NACE members).
At NRICH, we believe that learning mathematics is about much more than simply learning topics and routines. Successful mathematicians understand the curriculum content and are fluent in mathematical skills and procedures, but they can also solve unfamiliar problems, explain their thinking and have a positive attitude about themselves as learners of mathematics. Inspired by the 'rope model' proposed by Kilpatrick et al. (2001), which draws attention to the importance of a balanced curriculum developing all five strands of mathematical proficiency equally rather than promoting some strands at the expense of others, we have developed this new model and image which uses child-friendly language so that teachers and parents can share with learners five key ingredients that characterise successful mathematicians:

- Understanding: Maths is a network of linked ideas. I can connect new mathematical thinking to what I already know and understand.
- Tools: I have a toolkit that I can choose tools from to help me solve problems. Practising using these tools helps me become a better mathematician.
- Problem solving: Problem solving is an important part of maths. I can use my understanding, skills and reasoning to help me work towards solutions.
- Reasoning: Maths is logical. I can convince myself that my thinking is correct and I can explain my reasoning to others.
- Attitude: Maths makes sense and is worth spending time on. I can enjoy maths and become better at it by persevering.
Using the tool during remote learning and beyond
This reflection tool helps learners to recognise where their mathematical strengths and weaknesses lie. Each of the maths activities in our accompanying primary and secondary features is designed to offer learners opportunities to develop their mathematical capabilities in multiple strands. We hope learners will have a go at some of the activities and then take time to reflect on their own mathematical capabilities, so that when full-time schooling returns for all they are ready to share their excitement about what they have achieved, and are eager to continue on their mathematical journeys.
At NRICH, we believe that following the current period of remote learning, success in settling back into schools will be aided by recognising and acknowledging the mathematical learning that has been achieved at home, and encouraging learners to reflect on how they see themselves as mathematicians. It may be that some learners will not recognise the value of what they have achieved while they have been out of the classroom, because what they have been doing at home may be quite different from what they usually do in school. We want learners to appreciate that there are many ways to demonstrate their mathematical capabilities, and to recognise the ways in which they behave mathematically. By inviting children and students to assess their mathematical progress on a broad range of measures, we hope to change the narrative to recognise what learners have achieved, rather than focusing on what they have missed.
Get involved….
As the current period of remote learning continues, we’re continuing to develop new free maths resources, and we always value input from teachers. On 3 February 2021, the NRICH team is hosting an online meetup for NACE members during which we’ll share an exciting new classroom resource, currently under development, intended to challenge able mathematicians. The session will involve an opportunity to explore this new resource and share your insights to help inform its future development. We look forward to working with you. Details and booking.
Very best wishes for 2021 – the NRICH team.
Ref: Kilpatrick, J., Swafford, J. and Findell, F. (eds) (2001) Adding It Up: Helping Children Learn Mathematics. Mathematics Learning Study Committee: National Research Council.
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Posted By Laura March,
11 May 2020
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NACE Associate and R&D Hub Lead Laura March explains how Southend High School for Boys (SHSB) is ensuring learners continue to encounter “desirable difficulty” during the current period of remote learning.
In a recent ResearchEd presentation, Paul Kirshner delivered an insightful presentation based on the book Lessons for Learning. In one of his tips, he highlighted the need to avoid offering too much new subject matter during remote learning and to instead use this time to focus on maintaining the skills and knowledge that have been previously learnt. We know how easy it is to forget this learning without regular retrieval practice – we see this happen every year over the six-week summer break. Sometimes we underestimate the power of revision and repetition and this is a good opportunity to encourage pupils to consolidate knowledge from prior learning (see example retrieval grid).
For effective independent learning to take place, it is helpful to provide step-by-step worked solutions and provide alternative routes for all learners so they are offered support during their practice. On the other hand, we want there to be some form of “desirable difficulty” – not too hard, not too easy. Desirable difficulties are important because they trigger encoding and retrieval processes that support learning, comprehension and remembering. If, however, they are too difficult (the learner does not have the background knowledge or skills to respond to them successfully) they become undesirable difficulties and pupils can become disengaged, especially when working from home without teacher instruction and regular prompting (Bjork, 2009).
As time goes on, students’ internal resources start to increase as they begin to learn the content. At this point students are in danger of finding the task too easy. If there is no difficulty involved, then learning is less likely to occur. The best choice here is to start reducing the amount of support so pupils can achieve independence.
To help us reflect on this research, departments at SHSB have used two frameworks when considering and reviewing the tasks and activities being presented for remote learning:
Fisher and Frey: the gradual release of responsibility
In Better Learning Through Structured Teaching: A Framework for the Gradual Release of Responsibility (2008), Douglas Fisher and Nancy Frey probe the how and why of the gradual release of responsibility instructional framework – a model which is deeply embedded across SHSB (see this summary of how we are using this model to inform our approach to remote learning). To what extent have we been providing tasks that fit into each of the four stages of effective structured learning? Is there a gradual shift in responsibility from the teacher to the pupil, moving from “I do” to “you do together” and “you do alone”?
Sandringham Research School: the memory clock
We also wanted to think of simple ways to continue to achieve the interactivity that is crucial to teaching and learning. The “ memory clock” shared with us by Sandringham Research School has helped pupils revise and consolidate their knowledge. To avoid offering too much subject matter at once, the clock prompts pupils to structure learning into chunks and to always end with ‘assessing’ to self-regulate their own learning (see this example from SHSB Business department). It is important to ensure each study session has targeted questioning to check content is understood before moving on.
Ensuring learning is transferred into long-term memory
A wealth of research tells us that delivering new information in small chunks is more effective for working memory – the type of memory we use to recall information while actively engaged in an activity. The capacity to store this information is vital to many learning activities in the classroom and just as important for remote learning. Presenting too much material at once may confuse students because they will be unable to process it using working memory. We can observe when this happens in the classroom and respond by explaining and repeating the material. It is more difficult for us to identify this in remote learning.
In both models outlined above, you will see recall and retrieval plays an important role. This has been embedded in our SIP over the last few years and departments at SHSB have been creative in revisiting material after a period of time using low stakes quizzes, retrieval grids, multiple choice questions and images. This review helps to provide some of the processing needed to move new learning into long-term memory and helps us to identify any misconceptions before introducing new material.
Additional reading and resources
- Daisy Christodoulou, “Remote learning: why hasn’t it worked before and what can we do to change that?” (March 2020) – includes a list of learning apps that are effective in helping pupils to recall and self-regulate their learning at home.
- Fisher, D. and N. Frey, Better Learning Through Structured Teaching: A Framework for the Gradual Release of Responsibility, Association for Supervision and Curriculum Development, Alexandria, Virginia, 2008.
- Kornell, N., Hays, M. J., & Bjork, R. A. (2009). Unsuccessful retrieval attempts enhance subsequent learning. Journal of Experimental Psychology: Learning, Memory, and Cognition, 35, 989–998.
- Free resources: supporting challenge beyond the classroom – roundup of free resources from NACE partners and other organisations.
- NACE community forums – share what’s working for your staff and students.
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Posted By NACE team,
09 April 2020
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Organisations across the world have responded to the coronavirus (COVID-19) pandemic by sharing free resources to help support schools, students and families. We’ve rounded up a selection of free resources available from our partner organisations – focusing on challenge alongside enjoyment, enrichment and wellbeing.
Oxplore – “Home of Big Questions”
A digital outreach portal developed by the University of Oxford, Oxplore aims to raise aspirations and stimulate intellectual curiosity amongst 11- to 18-year olds. The “Home of Big Questions”, it tackles complex ideas across a wide range of subjects, drawing on the latest Oxford research and promoting interdisciplinary enquiry.
Get started:
- Watch this short video for an overview of the platform and how it can be used.
- Download this free activity sheet designed to help students and families get started.
- Read this blog post for more ideas, including additional resources to print and use at home.
- Follow Oxplore on Wordpress and Twitter for new Big Questions, live online events and more.
NRICH – “low threshold, high ceiling” maths activities
Based at the University of Cambridge, NRICH provides free “low threshold, high ceiling” maths resources for learners aged 3-19, designed to enrich mathematics teaching and learning through challenging, engaging and meaningful activities.
Get started:
- Watch this short video for an introduction to NRICH’s “low threshold, high ceiling” approach.
- Visit NRICH’s maths at home webpage for a selection of maths activities to try at home.
- Take a look at this overview, article and video for accompanying tips and guidance on using the activities.
Shakespeare’s Globe – free online screenings and resources
The iconic Shakespeare's Globe theatre offers resources and services to support teaching and learning with Shakespeare for all ages. During the current period, the Globe is opening up access to its catalogue of past production recordings through fortnightly releases on YouTube, including introductory talks from the Globe's Head of Higher Education and Research, Professor Farah Karim-Cooper. This year's 90-minute Playing Shakespeare production of Macbeth will be available from 11 May until schools reopen. Schools can also request free access to all Globe Player films, as well as many other educational videos, by contacting Bloomsbury.
Get started:
The Day – daily articles and activities based on current affairs
The Day turns the daily news into lessons designed to get students thinking for themselves and engaging with the world. In response to current demand, it has launched a free daily newsletter for parents and carers supporting students at home. It is also offering free access to articles relating to different aspects of the pandemic, with links across the curriculum – with an added focus on activities to complete at home, both online and away from the screen.
Get started:
Plus…
Many more organisations are offering free resources to support and engage students across all ages, abilities and areas of interest. For additional ideas and inspiration, take a look at:
Share your own…
What resources, websites or approaches have you found useful in supporting more able learners remotely? Share your recommendations in our online forums.
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Posted By Charlotte Bourne,
16 October 2019
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Charlotte Bourne, Deputy Head of Learning at Shakespeare’s Globe, shares four places to get started with the free online resources developed by the theatre’s education team.
As well as being an iconic cultural venue, Shakespeare’s Globe provides free resources for schools, supporting teachers to create learning opportunities that provide challenge for all. With materials available for teachers and learners across all phases, our education resources are designed to:
· Offer flexibility within the teaching of Shakespeare through active approaches, rehearsal room techniques or technology – giving opportunities for children to flourish across a range of domains;
· Add breadth to learners’ understanding of vocabulary through interrogating language choices;
· Add depth to leaners’ understanding of the relationship between Shakespeare’s texts and their contexts;
· Use them as a springboard to wider learning opportunities, such as homework projects or longer-term investigations.
Each year we also run a “Playing Shakespeare” microsite which tracks a production as it is developed and performed. This year’s microsite is dedicated to Macbeth (details below).
Ready to go deeper with Shakespeare? Here are four places to get started…
Great for an introduction to Shakespeare or a focus on context, the Globe website’s ‘Discover’ zone provides a wealth of information on: the history of Shakespeare’s Globe(s); factsheets about Shakespeare's world; blog posts from the Globe; music at the Globe; ‘ask an actor’ podcasts.
Our fact sheets – on Shakespeare, London, writing plays, actors, indoor theatre, special effects, the first Globe, playhouses, audiences, and costumes and cosmetics – are particularly useful for introducing students to Elizabethan and Jacobean contexts in an accessible way at KS2, and can easily be adapted to your lesson objectives. For example:
· Support the development of critical literacy skills: “We have very few accounts of how the audience behaved, and most of them are about ‘bad’ behaviour. This probably tells us more about what was considered ‘news’ than about how audiences behaved all the time.”
· Introduce learners to how performance conditions impact on texts: “There were practical reasons why some plays were better suited to indoor theatres. Indoor theatres had a small stage (about half the size of an outdoor theatre’s stage). There were also stools allowed on the stage: the most expensive seats, where rich ‘gallants’ sat to be seen as well as to watch. This gave the actors far less space for big battles or crowd scenes. On the other hand, the smaller space and the candlelight enhanced a play’s magical effects.” This could be followed by an investigation into which of Shakespeare’s plays learners think would suit each type of theatre.
An interactive filmmaker for desktops and tablets, Staging It aims to help learners understand Shakespeare’s texts from a director’s perspective and offers the option to virtually stage a scene at the Globe.
Actors are filmed performing a moment of a play on the Globe stage. Each line of their speech is shot four times, each time performed in different ways (happy, flirtatious, defensive, etc.). Students decide which clips to add to the dynamic storyboard to build a final scene. They can then interrogate the choices they made, and the impact of these on how each character is perceived.
These resources support students in recognising that the text is a conscious construct, shaped by the context in which it is received – vital preparation for GCSE English that can be introduced at KS3 through this resource.
Follow-up questions can be used to support the development of critical thinking: How am I looking at this character? What leads me to have this viewpoint? What does my viewpoint ignore? Is there another way to look at them? How might [a different culture/gender etc.] view them? Which of these possible viewpoints makes the most sense given the text? This could be modelled in advance by the teacher, as “revealing the thought processes of an expert learner helps to develop [these types of] metacognitive skills” (EEF, 2018).
The Globe’s website for teachers, Teach Shakespeare provides hundreds of learning resources in multiple formats: photos, video clips from previous productions, synopses, audio interviews, fact sheets and schemes of work. Designed with input from teachers, the site can be searched by age range, play, format, or purpose (e.g. lesson plan/exam revision). No signup is needed to access the resources.
Many of these resources incorporate rehearsal room techniques. These have experimentation, collaboration and reflection at their heart, and encourage students to make their own discoveries about the text.
For example, this resource suggests the activity ‘walking the line’ to investigate Shakespeare’s use of metre: foot up on unstressed syllables and down on stressed syllables, noticing and commenting on irregularities in the ‘Gallop apace’ speech in Act 3 Scene 2 of ‘Romeo and Juliet’. The ‘commenting’ is particularly important, because it is the collaborate nature of reflection that helps further the metacognitive talk referenced above. We provide video clips showing the actors undertaking some of these techniques, to model the insights that come through actively exploring the text in this way.
This site provides a gateway to all our previous production-specific websites created as part of the Playing Shakespeare project, each of which tracks a production from rehearsal to final performance. This year’s microsite is dedicated to Macbeth, with previous productions covered including Romeo and Juliet, Much Ado About Nothing, Twelfth Night, A Midsummer Night's Dream, Othello, The Merchant of Venice, The Taming of the Shrew. Each of these sites contains photos, interviews with the cast and director, design briefs, articles and teaching activities.
The interviews with cast members give students the opportunity to unpick the texts in performance – a key aspect in appreciating the form. Listen to several Macbeths discussing their interpretations, for example, can help students understand that, unlike a novel, a drama text is incomplete on the page.
There are research articles on particular plays, written for a KS3-4 audience moving to focus in more detail on the relationship between text and context. These provide a rich exploration of writer's craft that cannot be separated from context, and can be used to model the integrated approach to this required for higher-level literary analysis.
Our Macbeth 2020 website has launched and will begin tracking the production in January!
Tags:
drama
English
free resources
GCSE
KS2
KS3
KS4
language
literature
oracy
Shakespeare
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