Guidance, ideas and examples to support schools in developing their curriculum, pedagogy, enrichment and support for more able learners, within a whole-school context of cognitively challenging learning for all. Includes ideas to support curriculum development, and practical examples, resources and ideas to try in the classroom. Popular topics include: curriculum development, enrichment, independent learning, questioning, oracy, resilience, aspirations, assessment, feedback, metacognition, and critical thinking.
Top tags:
pedagogy
questioning
enrichment
research
oracy
independent learning
curriculum
free resources
KS3
aspirations
cognitive challenge
KS4
assessment
language
literacy
feedback
resilience
critical thinking
maths
metacognition
collaboration
confidence
English
creativity
wellbeing
lockdown
vocabulary
access
mindset
CPD
 
|
Posted By Trellech Primary School,
17 April 2023
Updated: 17 April 2023
|
Kate Peacock, Acting Headteacher at Trellech Primary School, explains how “SMILE books” have been introduced to develop pupil voice and independent learning, while also improving staff planning.
Our vision, here at Trellech Primary, is to ensure the four purposes of the Curriculum for Wales are at the heart of our children’s learning – particularly ensuring that they are “ambitious capable learners” who:
- Set themselves high standards and seek and enjoy challenge;
- Are building up a body of knowledge and have the skills to connect and apply that knowledge in different contexts;
- Are questioning and enjoy solving problems.
What is a “SMILE Curriculum”?
We have always been very proud of the children at Trellech Primary, where we see year on year pupils making good progress in all areas of the curriculum. Following the publication of Successful Futures and curriculum reform in Wales, the school wanted to embrace the changes and be forward-thinking in recognising and nurturing children as learners who are responsible for planning and developing their own learning. As a Pioneer School, we made a commitment to:
- Give high priority to pupil voice in developing their own learning journey.
- Develop pupil voice throughout each year group, key stage and the whole school.
- Embrace the curriculum reform and develop children’s understanding.
- Allow all learners to excel and reach their full potential.
- Ensure each child is given the opportunity to make good progress.
These goals have been developed alongside the introduction of SMILE books, based on our SMILE five-a-day culture:
- Standards
- Modelled behaviour
- Inspiration
- Listening
- Ethical
What is a “SMILE book”?
Based on these key values of the SMILE curriculum, the SMILE books are A3-sized, blank-paged workbooks which learners can use to present their work however they choose. They are used to present the children’s personal learning journey. In contrast to the use of books for subject areas, SMILE books show the development of skills from across the Areas of Learning and Experience (AoLEs) in their own preferred style.
This format enables pupil voice to be at the fore of their journey, while clearly promoting each pupil’s independent learning and supporting individual learning styles. Within a class, each SMILE book will look different, despite the same themes being part of the teaching and learning. Some may be presented purely through illustration with relevant vocabulary, while others develop and present their learning through greater use of text.
Launching the SMILE books
As a Pioneer School we collaborated with colleagues who were at the same point of their curriculum journey as us. Following this collaboration, we agreed to trial the introduction of our SMILE books in Y2 and Y6 with staff who were members of SLT and involved in curriculum reform.
In these early stages, expectations were shared and pupils were given a variety of resources to enable them to present their work in their preferred format within the books – enabling all individuals to lead, manage and present their knowledge, skills and learning independently.
Pupil and parent feedback at Parent Sharing Sessions highlighted positive feedback and demonstrated pupils’ pride in the books. Consequently, SMILE books were introduced throughout the school at the start of the following academic year. For reception pupils scaffolding is provided, but as pupils move through the progression steps less scaffolding is needed; pupil independence increases and is clearly evident in the way work across the AoLEs is presented.
Staff SMILE planning
Following the success of the implementation of pupil SMILE books and to ensure clarity in understanding of the Curriculum for Wales, I decided to trial the SMILE book format myself, to record my planning. This helped me to develop greater depth of knowledge and understanding of the Four Purposes, Cross-Curricular Links, Pedagogical Principles and the What Matters Statements for each of the AoLEs.
During this early trial I wrote each of the planning pages by hand, which enabled me to internalise the curriculum with an increased understanding. Also included were the ideas page for each theme and pupil contributions through the pupil voice page.
This format was shared with the whole staff and has evolved over time. Some staff continue to write and present planning in a creative form, while others use QR codes to link planners to electronic planning sheets and class tracking documentation. The inclusion of the I Can Statements has enabled staff to delve deeper and focus on less but better.
Each SMILE medium-term planning book moves with the cohort of learners, exemplifying their learning journey through the school. The investment of time in medium-term planning enables staff to focus on skills development in short-term planning time. This is evident in the classroom, where lessons focus on skills development and teachers are seen as facilitators of learning.
Impact on teaching and learning
Following our NACE Challenge Award reaccreditation in July 2021, it was recognised that the use of SMILE books had a positive impact on pupil voice and the promotion of independent learning for all. Our assessor reported:
SMILE books, which the school considers to be at the heart of all learning, are used by all year groups. Children complete activities independently in their books showing their own way of learning and presenting their work in a range of styles and formats. As a result, even from the youngest of ages, pupils have become more independent learners who are engaged in their learning because they have been involved in the decision-making process for the topics being taught.
The SMILE approach to learning has strengthened pupil voice and given children the confidence to take risks in their own learning by choosing how they like to learn.
The SMILE approach to learning has created a climate of trust where learners are confident to take risks without the fear of failure and are valued for their efforts. Pupils appreciate that valuable learning often results from making mistakes.
SMILE promotes problem solving and enquiry-based activities to help nurture independent learning.
Using SMILE books, independent learning is promoted and encouraged from the youngest of ages. The SMILE approach encourages MAT learners to lead their own learning by equipping them with the skills and knowledge to know how they best learn. As a result, more able pupils are critical thinkers and have high expectations and aspirations for themselves.
Our SMILE approach continues to develop here at Trellech, ensuring the continual development of our learners and independent learners with a valued voice.
Explore NACE’s key resources for schools in Wales
Tags:
Challenge Award
creativity
curriculum
independent learning
professional development
student voice
Wales
Permalink
| Comments (0)
|
 
|
Posted By Matthew Williams,
21 May 2020
|
Dr Matthew Williams, Access Fellow at Jesus College, Oxford, shares his belief in the importance of “confident creativity” as the key to developing sustained effort and a lasting love of learning.
I am a fellow and tutor in politics at Jesus College, Oxford, and I’d like to share some thoughts on how students can be energised to “work harder”. Specifically how do we encourage sustained effort, leading to improved attainment? What follows are reflections on a decade of teaching and schools outreach work at Oxford and Reading Universities. There is a mixture of theory here, but readers should be warned there will also be big dollops of unscientifically personal recall.
As an undergraduate student of politics at the University of Bristol, the most significant learning experience came during seminars on the British Labour Party. At first, I was fairly indifferent on the subject, but the seminars entailed a mixture of traditional essay-based research and more flashy simulation-based learning. On the latter, we had a Cabinet meeting in our seminar with each of us playing real characters. I was Jim Callaghan, and I had to prepare Cabinet papers, work out strategy and tactics in order to win a fight with, in particular, Tony Benn!
The experience brought everything to life. The theoretical and practical came together, and I have to this day never forgotten the specifics of that fight in late 1976. On reflection, the primary effect of the simulation was the transformation of the subject matter from work into study. Studying is not work in the sense of being performed for someone or something else’s benefit. Instead, studying is intrinsically pleasurable. Whilst many students are motivated by long-term payoff (career prospects, reputation, power etc) many, like me, see more immediate feedback. This particular teaching style transformed the 9am walk to lectures from a reluctant trudge to an enthusiastic commute. It was revelatory.
Demystifying the means of achieving distinction
Ever since those seminars I have aspired in my personal and professional life to transform work into study. The key ingredient used by the seminar tutor was positive motivation. He made clear his interest was in us and our ideas, rather than our performance in the exam and the reputation of the university. As such, he did not want us to regurgitate the literature, rather he wanted us to know the literature so we could analyse it critically whilst presenting our own original contributions.
This was liberating. All of sudden the most complex elements of social democratic ideology and post-industrial economics were not prohibitively intimidating; they were required reading for anyone wishing to have their voice heard. In this process, we had to acknowledge we could contribute to a debate despite our relative academic inexperience. The tutor was clear: good ideas are not the monopoly of tenured professors. If we wanted to, we were perfectly capable of contributing original theoretical insights and empirical discoveries. To achieve the distinction of a first class degree our work had to be creative and, crucially, the tutor made clear we were all capable of distinction if we wanted it.
This teaching style resonated with me because it demystified the means of achieving distinction. Previously, I had assumed distinction was a matter of talent, intelligence and luck – none of which I felt much graced with. Subsequently, I realised distinction meant creativity, and creativity needed energy and self-confidence.
Understanding the importance of “confident creativity”
“Confident creativity” is not my first teaching philosophy. For a job application in 2012 I proposed a similar philosophy focused on positive motivation and confident application of skills. Whilst this is seemingly the same philosophy, the older version was predicated on teaching as the transmission of knowledge, where now I see teaching more as developing and nurturing key skills. The transmission model prioritised interesting learning materials as the fundamental variable; whilst I still consider the materials to be important, they are secondary to the students’ nurtured development of complex skills. When students internalise the skills of processing complex information, they will find interest in practically all relevant materials, without the need for unrepresentatively “sexy” content. Even a 1970s Cabinet meeting can become enthralling!
The key change in my teaching philosophy has been the realisation that motivating students should encourage a sense of independent intellectual development. This change in emphasis can be represented as a synthesis of two learning outcome hierarchies, proposed by Bloom et al (left pyramid) and Anderson & Krathwohl et al (right pyramid).

I propose a synthesis of these taxonomies, fleshed out with qualifying adjectives:

Including qualifying adjectives in Anderson & Krathwohl et al’s hierarchy allows us to assess the learning objectives in greater detail, with clearer observable implications. Adding an extra level of nuance to the concepts enriches their meaning, without losing the parsimony and clarity which are such key strengths of the original taxonomy. The addition of adjectives could be criticised as creating needless tautologies – if, for instance, we assume confidence is a necessary condition of creativity. However, creativity can be achieved without confidence if it is accidental and the student is unaware of the merits of their creativity. We need to aim for confident creativity because it is significantly more sustainable and transferable for a student to create in confidence than to be creative by accident or with heavy-handed guidance.
Transferring this approach to different contexts
Critical reflexivity is a very personal journey, and the results of my personal reflections may not be transferable. Even the phrase “teaching philosophy” connotes a sense of philosophy as retroactive rationalisation of one’s own perspective, as opposed to the analytic use of the term as a clear, open and rigorous system of thought. As Nancy Chism states, somewhat ironically, “One of the hallmarks of a philosophy of teaching statement is its individuality.” Whilst a teaching philosophy is developed through self-reflection, it requires self-awareness before it can be applied to others. Notably, teachers are somewhat unusual in their relationship with knowledge. They relish the acquisition of knowledge as an intrinsic good, where motivation to learn is rarely absent and the desire to contribute is second nature.
But what is good for the goose is not necessarily good for the gander. For many students school and college is first and foremost about acquiring qualifications, and therefore simply an instrument for career advancement. As such, not all students want to achieve distinction, nor see the value in risking creative contributions when a less resistant path exists. For such students there is a risk that emphasis on creativity will alienate them from the subject and the teacher. Furthermore, the development of my teaching philosophy has primarily taken place at an elite university, where boundary-pushing and intellectual confidence is far less risk-laden than in other contexts. The unflinchingly liberal environment at Oxford ascribes considerable value to intellectual creativity, perhaps at the expense of consolidation. Yet there is little utility in a teaching philosophy that is contingent on where and for whom it applies.
Nevertheless, these concerns are surmountable. Yes, academics perhaps have a gilded view of knowledge, but only because they have internalised the skills of contributing knowledge to the point where it has become (for the most part) a pleasure. It is incumbent on academics to encourage students towards a similar relationship with the world. Whilst not all students will want or feel able to contribute genuine insights, “confident creativity” is the apex of the pyramid and there are other levels of learning available to differentiate between learners. The ambition should be to encourage confident creativity, but “critical evaluation” or “balanced analysis” will be satisfactory outcomes for many students. Learners should not be forced to fit a teaching style that alienates them and a degree of differentiation between students will be required with the proviso that “confident creativity” is unambiguously the preferred goal and should be encouraged as far as possible.
Ultimately, the point of education is to equip individuals with the skills to speak for themselves. This is best achieved when we mix up teaching styles, and jolt work into study.
References
- Anderson, L.W., Krathwohl, D.R., Airasian, P.W., Cruikshank, K.A., Mayer, R.E., Pintrich, P.R., Raths, J., & Wittrock, M.C. (eds) (2001) A Taxonomy for Learning, Teaching, and Assessing. (New York: Addison Wesley Longman Inc).
- Bloom, B.S., Engelhart, M.D., Furst, E.J., Hill, W.H., & Krathwohl, D.R. (eds) (1956) Taxonomy of Educational Objectives: The Classification of Educational Goals – Handbook 1: Cognitive Domain. (London, WI: Longmans, Green & Co Ltd).
- Chism, N. V. N. (1998) “Developing a Philosophy of Teaching Statement.” in Essays on Teaching Excellence 9(3) (Athens GA: Professional and Organizational Development Network in Higher Education).
- Pratt, D.D., & Collins, J.B. (2000) ‘The teaching perspectives inventory: Developing and testing an instrument to assess teaching perspectives’ Proceeding of the 41st Adult Education Research Conference.
About the author
Dr Matthew Williams is Access Fellow at Jesus College, University of Oxford, where he teaches and conducts research in the field of political studies. Known as “the Welsh College”, Jesus College has a long history of working with schools in Wales and has recently taken on responsibility for delivering the university’s outreach and access programmes across all regions of Wales. Read more.
Live webinar: “Developing sustained effort in able learners”
On 2 July Dr Williams is leading a free webinar for NACE members in Wales, exploring approaches to developing confident creativity and motivating learners to be ambitious for themselves. This is part of our current series supporting curriculum development in Wales. Find out more and book your place.
Tags:
aspirations
confidence
CPD
creativity
independent learning
Oxbridge
Oxford
pedagogy
Wales
Permalink
| Comments (0)
|
 
|
Posted By Catherine Metcalf,
09 October 2019
|
Cathy Metcalf, Year 5 teacher and expressive arts lead at St Mary's RC Primary School, shares four approaches to help learners move beyond the search for a single right answer.
For many of our more able learners, much of their education is spent seeking (and usually finding) answers. Correct answers. They are the children in our class who ‘know’ they have the answer we are looking for, and frequently the learners who struggle when they get an answer wrong. But how do these learners cope when there is no ‘right’ answer? When everyone’s ideas and opinions are valued and acceptable, and right and wrong are no longer the outcomes or intentions of the lesson?
Element 3c of the NACE Challenge Framework reminds us of our responsibility to consider “social and emotional support” as well as academic provision for the more able. Similarly, the updated education inspection framework (EIF) calls for schools to develop “pupils’ character… so that they reflect wisely, learn eagerly, behave with integrity and cooperate consistently well” and “pupils’ confidence, resilience and knowledge so that they can keep themselves mentally healthy”. In Wales too, wellbeing has a significantly raised profile in the context of ongoing curriculum reform.
Learners who are not used to the feeling of struggle and failure are likely to crumble when faced with a task or approach that does not entail a straightforward correct answer. As practitioners, we have a responsibility to ensure that our more able learners are regularly exposed to a high-enough level of challenge to experience the feeling of struggle, in an environment where they feel part of a supportive learning community.
In my ‘other life’ (beyond teaching) I have worked as a musical director in theatre for nearly 15 years, and I feel that the expressive arts provide so many opportunities for this kind of development. I am always looking for ways to explore and use the arts in my pedagogical approach, and have found the following approaches to be particularly successful for more able learners:
1. Draw on creative role models to develop growth mindset
Carol Dweck’s theory of growth mindset is important to helping learners understand the benefits of ‘staying with’ a task or problem, even when it feels beyond their ability – and here, there is much to be learned from the world of expressive arts.
Many artists and musicians spend weeks, months, even years perfecting a work. Even the process of rehearsing for a performance (be it a school concert, instrumental examination or West End production) requires dedication and resilience, calling for repetition after repetition to ensure consistency.
For learners it can be powerful to take inspiration from an artist or other celebrity and to understand how they approach their craft. The NACE Essentials guide to learning mindset suggests encouraging learners to “research individuals they admire who have achieved something great and explore what these people have in common.”
In my school, figures such as Walt Disney and J. K. Rowling are year-group models, and pupils learn about how they have created their masterpieces through teamwork, setbacks and extensive editing. Developing a growth mindset permeates our whole school culture and reinforces the idea that “the most certain way to succeed is always to try just one more time” (Thomas Edison).
2. Set creative open-ended tasks
The guidance for more able learners from the regional consortia within which I work suggests “setting creative open-ended tasks” within our everyday practice. I recently used a task which involved playing short excerpts of music and asking children (and staff) to choose the colour they felt the music was describing.
Of course, with this type of task there is no ‘right’ answer, yet the lesson serves many purposes: to encourage reasoning and justification for any answer, to develop child talk in a low-stake environment, and as an introduction to the technical vocabulary required for describing music.
It was particularly interesting to note how many of my more able learners were fixated upon ‘Yes, but who is right Miss?’ and I am already planning further activities using paintings, sculpture and digital art to try and change this mindset.
3. Provide regular mental workouts
In its recent thematic review of provision for more able learners, Estyn recognises a problem in many schools of simply setting more work in terms of quantity, rather than extensions which require deeper thinking.
I try to provide my class with opportunities to think deeply about their academic work, but also to think deeply in an altogether more abstract, creative way. The use of ‘thunk’ questions and ‘cognitive wobble’ are particularly strong ways of encouraging learners to question their own perceptions of the world, and even to challenge information that is presented to them by teachers and parents.
Some of my favourite ‘thunks’ are excellent warm-ups for art, drama and literacy lessons… e.g. If I drop a bucket of paint on a canvas, is it art? What if I drop the bucket deliberately? What colour is Tuesday? If I compose a piece of music, but it is never played, is it still music?
Character studies during drama or literacy lessons also provide opportunities for ‘cognitive wobble’ – the result of conflicting information clashing when we need to form an opinion about something. e.g. We know thieves are villains, and yet Robin Hood is a hero...
My class last year also took part in a project with a visiting neurologist, who taught the pupils about the brain, and how it works in the same way as any other well-exercised muscle. They learnt about different parts of the brain and how it functions, and many were able to make links with the ongoing work we had done on mindset.
4. Challenge parents to change their perspectives
Finally, I am reminded of a conversation with a parent who had been flicking through a maths book before a parent-teacher consultation. The parent commented on the number of mistakes in the book and expressed concern over their child’s lack of mathematical understanding. The child in question was, in fact, a strong mathematician who really thrived when challenged and was learning to articulate her mistakes and what she had learnt from them.
If we want to reframe the concept of success for our learners, we also need to challenge the perception of ‘right’ answers held by parents – which in many cases is passed on to their children. Ensuring that parents are well informed of the learning culture in a school, particularly that of mindset and deep learning/challenge is crucial in supporting this change.
We have recently introduced Individualised Achievement Plans for our most able learners, which involve a target-/project-setting meeting between learner, teacher and parent, and already we are seeing the benefits of parents’ support when more open-ended tasks are introduced and continued at home.
I was particularly struck by a comment in the NACE Essentials guide to learning mindset: “the risk with more able learners can be that teachers do not sufficiently reward effort, due to success being perceived as a ‘given’ [… A]ll learners need ‘process praise’ to build or reinforce that all-important growth mindset.” This is of course true, and not just of learners at school age. We all need to feel as though our efforts, whether at work or elsewhere, are appreciated, and we are all likely to perform better when praised.
For our young learners, receiving support, praise and encouragement not only at school but also at home can have a huge impact. Engaging with parents to ensure a consistent approach is key.
I recently read an NCETM article titled “The answer is only the beginning”. It seems to me that the more we are able to instil this mindset in our more able learners, the better we equip them for whatever challenges they may face, both academically and throughout their lives.
References and further reading
· Healthy and happy – school impact on pupils’ health and wellbeing (Estyn, 2019)
· How best to challenge and nurture more able and talented pupils: Key stages 2 to 4 (Estyn, 2018)
· Regional Strategy and Guidance for More Able Learners (Education Achievement Services for South Wales, 2018)
· NACE Essentials: Using mindset theory to drive success (NACE, 2018; login required)
· The Learning Challenge (James Nottingham, 2017)
· The Little Book of Thunks (Ian Gilbert, 2007)
NACE member offers: for details of current discounts available from our partner organisations, including education publishers such as Crown House, Hodder, SAGE, Rising Stars and Routledge, log in to our members’ site.
Tags:
creativity
Estyn
mindset
neuroscience
Ofsted
parents and carers
resilience
Wales
wellbeing
Permalink
| Comments (0)
|
 
|
Posted By Gail Roberts,
05 September 2018
Updated: 22 December 2020
|
Gail Roberts, More Able and Talented (MAT) Coordinator at Challenge Award-accredited Llanfoist Fawr Primary School, was selected as the winner of our “challenge pledge” competition at the NACE Cymru Conference 2018 for her commitment to developing learners’ oracy skills. In this blog post, she outlines seven strategies to put her pledge into practice…
For me, oracy skills are among the most important skills for any learner, including the more able – enabling them to communicate effectively in any subject or situation. As schools in Wales undergo significant changes, there is widespread agreement that transferable communication skills are essential to support all areas of learning, as well as improving employability and wellbeing.
With this in mind, oracy skills will be an ongoing focus for my Year 5 class throughout the coming year. In the autumn term, we’ll focus on discussion, building on learners’ existing oracy skills and making use of self- and peer-evaluation. In the spring, we’ll use debating to encourage learners to listen, think on their feet, react and build upon ideas. And in the summer term learners will take on the challenge of giving formal presentations to large audiences; based around the topic of parliament, they’ll visit secondary schools, governors and other primary schools to deliver a formal presentation on “The people's voice”.
Here are seven strategies to develop oracy skills with your own class this year:
1. Learn from the experts
Use a range of media to exhibit higher-order oracy skills. While learners are viewing a roleplay of older pupils or a video showing oracy skills in a real-life setting, discuss the skills being used and why they are effective.
2. Start from a familiar topic
Allow learners to choose a topic of conversation and give them time to think about key points. Once thoughts have been formulated, take their notes away. Give them time to discuss and practise sharing their ideas with peers. Starting from a topic with which learners are familiar will give them the confidence to develop skills which can then be transferred to a wide range of areas.
3. Practise a range of techniques
Challenge learners to present ideas convincingly using a range of techniques for impact. For example: rhetorical questions, appeals to listeners, gestures responding to how listeners are reacting, adapting what they say and how they say it. Ask those listening to identify information and ideas which align with or contradict their own opinions.
Learners should be able to express their opinions confidently, reasoning and supporting their own and others’ ideas with relevant evidence. When working in a group, they should be able to recognise a range of options and reach agreement to achieve the overall aims of the group.
4. Use peer evaluation
Peer evaluation is a fantastic tool if used effectively and modelled well. It can be used to increase learner engagement and understanding of learning criteria, and to develop evaluative and communication skills.
Set up one group of learners to complete a task such as a presentation, debate or focus group, and assign others as peer evaluators. After the activity is finished, the first group ask for feedback on their performance. I then encourage them to choose a few points from the peer feedback that they will include next time.
5. Celebrate successes
Once the skills have been taught, it is obviously imperative they are practised. Less obvious is the need for continual acknowledgement and congratulation. For example, throughout the day, ask learners to discuss ideas either formally or quickly informally. When good practice is spotted, it takes just seconds to point it out, but this will be remembered and used for life.
6. Extend…
Extend learners’ understanding of the use of standard and non-standard English, enabling them to confidently use language appropriately and fluently in formal and informal situations. Teach language using a wide range of syntax structures and precise and effective vocabulary, including specialised terminology. Through practice, learners should be able to make significant, well-thought-out contributions, engage listener interest and sustain a convincing point of view, anticipating and responding to other perspectives.
7. …and empower
Providing opportunities for learners to use their oracy skills in “real” settings can have a huge impact. When setting up such experiences, think widely and aim high. As well as presenting to audiences of governors, parents and peers, challenge learners to join debating groups, present to politicians, universities, business boardrooms… Let them see how powerful their voices can be.
One class I was working with were following the programme for the Prince William Award. I asked about opportunities for the children to talk about the project and what it meant to them. They ended up presenting to a headteachers’ conference, secondary schools, governors and to celebrities in the Tower of London at a formal dinner in a room next to the crown jewels.
Set the bar high, but ensure the experience is a positive one. Balance risk-taking with consolidating and acknowledging the skills they have gained. After an event, evaluate and set targets for improvement. Encourage learners to take charge of their own learning and performance. Their reward will come from their own confirmatory perception of the outcome.
Gail Roberts is the MAT Coordinator, Maths Coordinator and Year 5 teacher at Llanfoist Fawr Primary School in Monmouthshire. She has worked in education since 1980, starting out as an NNEB with children with severe difficulties in basic life skills, and gaining her NPQH in 2007. Describing herself as a “quiet” child who left school “a long way off my potential”, she is passionate about supporting all learners to achieve at the highest levels of which they are capable. Llanfoist Fawr gained the NACE Challenge Award in 2017, in recognition of school-wide commitment to high-quality provision for MAT learners within a context of challenge for all.
Tags:
confidence
enrichment
oracy
resilience
student voice
vocabulary
Wales
Permalink
| Comments (0)
|
 
|
Posted By Chloe Maddocks,
29 January 2018
Updated: 22 December 2020
|
London’s renowned Saatchi Gallery is known for championing the work of previously unheard-of artists, offering a springboard to fame. Living up to this reputation, in March this year the gallery will feature work by some of the UK’s youngest and least-publicised artists – displaying creations from a cross-disciplinary project completed by Year 4 learners at NACE member and Challenge Award-accredited Pencoed Primary School.
Titled “Creating our Welsh identity”, the project started with a focus on learners identified as at risk of underachieving, including the more able – but its success led to elements being rolled out across the entire year group, and the school.
Class teacher Chloe Maddocks, who coordinated the project, explains more…
The context:
Promoting creativity and creative thinking is part of our school vision, and we recognise these as key life skills. However, this was an area we felt we could develop further.
We developed the “Creating our Welsh identity” project with the aim of raising academic attainment, improving learners’ self-esteem and confidence, and developing their creative skills – combined with a focus on numeracy and links to the year group topic. We also wanted to explore learner and staff perceptions of what it means to be creative, and to develop this thinking and awareness of broader creativity.
Having scoped out the project, we successfully applied through the Arts Council of Wales for a grant of £10,000, to be split between Year 1 (2016-17) and Year 2 (2017-18).
The project:
Running for the duration of the spring term, the project was linked to the Year 4 theme, The Stuarts. Initially, we selected 18 learners, targeting those at risk of underachieving. Due to the project’s success, we subsequently adopted some of the broader approaches across the rest of the year group and throughout the school.
At the start, learners did some research around the history of the Union Jack. Exploring symmetry, measuring and shapes, they then created their own version of the flag using fabric and donated materials, incorporating aspects of their own identity. Members of the community volunteered to teach learners to use a sewing machine, so they could stitch on their initials. The group also created personal identity drawings, based on research into the history of their family, incorporating words and symbols that represented them inside an outline of their body.
Numeracy was embedded from the start, right through to the end. We incorporated this in planning so all 60 learners within the year group were also taking part in the numeracy tasks. We looked at which National Literacy and Numeracy Framework (LNF) strands we could include, as well as planning our maths, language and topic lessons around the project. Focusing on real-life problems and tasks that reinforced specific numeracy strands – pricing activities, comparing costs from different supermarkets, profits and budgeting – allowed learners to relate to the importance of numeracy in everyday life.
More able and talented (MAT) learners were selected to act as leaders of certain parts of the project and were given the task of planning and coordinating the celebration event. All activities were differentiated to provide appropriate levels of challenge, and weekly evaluations allowed staff to tailor sessions to meet learners’ needs.
Learner engagement:
During the project we worked alongside Haf Weighton, a textile artist from Penarth. Haf brought some lovely ideas and had a wonderful working relationship with both the adults and children involved. She was selected by the learners themselves through an interview process, inspiring them with her style of art and her passion and love for her work.
Throughout, the learners were a key influence in determining the project’s direction, and were particularly active in devising the final outcome – the afternoon tea party. I had weekly conversations with them, in which they were able to evaluate their own work and the work of Haf, as well as discussing ways for the project to develop.
Celebration and exhibition:
To celebrate their work, learners hosted an afternoon tea party for parents and carers, sharing the project outcomes and showing off what they had learned throughout the topic. Around this event, learners had the opportunity to:
- Work alongside a candle maker
- Work alongside members of the community to create cushions and print
- Research what types of foods would have been served at a Stuart tea party
- Research the history of afternoon tea
- Take a trip into Pencoed village to purchase food
- Work out pricing, budget and profit
- Be filmed and interviewed by Heno, S4C
On the day of the party, parents and carers had the opportunity to sit in on either a literacy or numeracy lesson, tailored to the theme of the Stuarts.
Through Haf’s connections, we’ve also been able to reach a much wider audience. The artwork created was displayed in our very own exhibition in the HeARTh Gallery at the Llandough Hospital. Haf also shared details of the project at the Knit and Stitch Show in London, and – after the success of the project was shared online through our school website and Twitter – the prestigious Saatchi Gallery was very interested to work alongside Haf and to share the learners’ work.
Impact:
The impact for learners was far greater than we initially anticipated. All made progress with their weekly Big Maths scores and overall numeracy skills. They were also able to see the benefits of numeracy in everyday tasks, benefitting from the cross-curricular approach.
As well as developing a multitude of literacy, numeracy and creative skills, there was also an improvement in learners’ general confidence, wellbeing and self-esteem. For MAT learners, independent thinking and problem solving improved, and all learners felt a strong sense of pride and achievement in their work. Opportunities to see their work displayed, and to share their learning with parents and carers, provided inspiration to broaden their horizons and aspirations for the future.
There’s also been a wider impact, as we’ve shared the excellent practice across the school. In addition, the project has raised awareness about the importance of creativity among learners, staff and parents, showcasing how much can be achieved.
Next steps:
We are now in our second year of this project, and intend to continue running projects in this way. We’ve also been involved in school-to-school collaboration and shared our experiences in networking events across the Central South Consortium to promote this project to other schools. And of course we’re also planning to take the learners to the Saatchi Gallery in March, so they can experience the exhibition first-hand!
Chloe Maddocks has been a full-time teacher at Pencoed Primary School for four years, teaching Years 3 and 4. As coordinator of the “Creating our Welsh identity” project, she’s enjoyed opportunities to develop her leadership and project management skills, learner engagement, and share expertise with peers at other schools. She’s passionate about showing how creative skills can be incorporated into cross-curricular learning.
Pencoed Primary School has been a NACE member since 2014 and achieved the NACE Challenge Award in July 2015. With approximately 600 learners enrolled, the school is dedicated to developing networks of good practice and continually reviewing and improving its provision for all learners within an ethos of challenge for all.
Do you have an inspiring project to share with the NACE community? Contact us to share a case study.
Tags:
arts
creativity
enrichment
KS2
Wales
Permalink
| Comments (0)
|
|